Hi

Thank you for checking out my site.

Lenny is a versatile, “think outside the box” writer. His work can be attention-grabbing and vivid with colorful characters and fun twists, or it can be “quiet,” emotional, and deeply human. We know better than to be lured into a sense of security by his judicious and careful prose: In Lenny’s world, anything can happen.—Writer’s Relief

About Me

In 1962, I graduated from Brooklyn College, put the BA in theater in my back pocket, and became a folk singer. Then, I became a folk-rock singer/songwriter and, ultimately, a recording-studio singer and composer of many successful jingles, including McDonald’s, Lipton Tea, and Jeep.

Over the years, I was fortunate enough to have written songs for Diana Ross, Barry Manilow, and the Pointer Sisters, and to have sung backup for Billy Joel, Neil Diamond, Peggy Lee, Carly Simon, and others. I was also with the improvisational comedy group War Babies.

During the ’90s, the music business dried up for a lot of people, including yours truly. After a brief period of mourning, I began writing mystery novels and short stories. I’ve written three novels, Hits From The Past, Death in the Jingle Jungle, and Diehard Fan. Fifty of my short stories are currently appearing in literary magazines, and I received a Pushcart Prize nomination for short fiction. Many of these stories are lined up on the left for you to click on and read.

Also, just to give you an idea of my music, I set up a page with some of the songs I wrote, sang, and recorded “back in the day,” both with my band and solo in my MIDI studio.

I hope you enjoy it all, and, if so, please come back, because I’ve got a lot of stuff, and I’ll be updating this site periodically. Thanks again!

 

Publications

Acronyms R Us (Perceptions Magazine)

And Foolish Notion (Eleven Eleven)

ArToo #MeToo (Penmen Review)

Autocorrect (Bamboo Ridge)

Cat As Cat Can

Chairman Of The Bored (Cairn)

Compared to What? (Verdad)

Compromising Position (Evening Street Review)

Conversation Pieces

Crazy Little Thing Called Death (Penmen Review)

Damning with Faint Praise (Forge)

Dear John (Dirty Goat)

Deities Limited (Drunk Monkeys)

Dyscustody (Packingtown Review)

Dying Well is the Best Revenge (The Umbrella Factory Magazine)

E-3

Exed Out (Diverse Voices Quarterly)

False Equivalency.com (Penmen Review)

Fear Itself (The Chamber Magazine)

Feelin’ Guruvy (Blue Lake Review, Fall 2020)

Flash Mob Rule

Fortune Cookies (Blue Lake Review, Spring 2019)

Glockenspiel (Bitter Oleander, Spring 2014)

Heather’s Problem (The Thieving Magpie)

Horror Story (Opiate Magazine)

Ignorance Power (Umbrella Factory)

I M What I M (Down in the Dirt Magazine)

Internet Legend (Riversedge and The Griffin)

Ire Land (Litbreak Magazine)

It Unrings A Bell

Jerry’s Lucky Number (Avalon Literary Review)

The Joke (Diverse Voices Quarterly; Vol. 7, Issue 27)

Just Kidding (Blue Lake)

Kid Lit (Forge, Spring 2016)

Libido (Diverse Voices Quarterly; Vol 8, Issue 30)

Little Things Mean A Lot

The Malady Lingers On

No Good Deed Goes Unpunished (Crack the Spine)

One More Round

Out of Context (Rougarou)

The Phisherman (The Umbrella Factory Magazine)

The Power Of Positive Pessimism (Westview)

The Power That Be (Rio Grande Review)

Questionable Behavior (Wild Violet)

Reasonable (Hobo Pancakes)

Rosh Hashana, Mon (FOLIO)

Right To Life

Shop ‘Til You Drop

Social Management (Down in the Dirt Magazine)

Sotto Voce (Treehouse Arts Magazine)

So You Want To Be A Murderer

Stand-up And Be Counted (Sandpiper)

Such Sweet Sorrow

Tales From The Cryptic (Jabberwock Review)

The Waiter Show (Griffin)

Time Before Time (Teleport Magazine)

To Your Hurt’s Desire (Evening Street Review)

What’s In A Name? (Slab)

We Come, We Go

Who Do You Think I Think You Are?

Whose Fault? (Lowestoft Chronicle)

With A Twist (Amarillo Bay)

Wisdom 101 (Evening Street Review)

Diehard Fan, Chapter 1

Death in the Jingle Jungle, Chapter 1

Books

Eddie Fein is a twelve-year-old boy living in Brooklyn. It’s the last week of the 1951 baseball season, and his beloved Dodgers are enduring the epic collapse to the hated Giants that will be punctuated by Bobby Thomson’s “shot heard ’round the world.” Eddie’s love for the Dodgers springs from his love for his father Barry Fein, a passionate Dodger fan, but an alcoholic who’s prone to bouts of depression and anger. When two Giant fans are murdered, Nick DiFazio, lead detective on the case and Barry’s best friend, is afraid of what his suspicions are telling him. Eddie somehow learns of Nick’s feelings. He secretly embarks on a desperate mission to prove his father’s innocence, a quest that only seems to worsen things. In the meantime, and throughout, we witness the Dodgers’ final week, sometimes through radio and TV, sometimes from the playing field itself. And as Bobby Thomson crushes Ralph Branca’s fastball into baseball history, Eddie will learn the terrifying truth.

It is early 1979, nearly ten years after Woodstock. Ernie Lanier, former lead singer and bass player for the counterculture antiwar band Generation Gap, finds himself now very much a part of the establishment. He has become a writer and singer of jingles on TV and radio commercials. The jingle business, as he discovers, is a secretive, fiercely competitive one, with millions in residuals as its reward. Ernie is about to find out just how fierce the competition can be. His beautiful wife and partner in their subsequent sleuthing is Annie Sands. She’s also a jingle singer and a former member of The Love Notes, a group that had topped the charts in the early ’60s. Together they try to untangle the Machiavellian threads that twist under the surface of this ruthless business, with its secret hatreds, a shadow world of drugs, and a murderer who’s determined to frame Ernie, or failing that, to kill him.